NOISES OFF @ The New Harmony Theatre

By Michael Frayn

Set Design by Todd Rosenthal, Costume Design by Shan Jensen, Lighting Design by Nelson Downend, Jr., Production Stage Manager – T.R. Martin, Managing Director – Steve Renner, Artistic Director – Scott LeFeber

Jeb Brown (Frederick)
Janet Metz (Belinda)
Craig Dudley (Lloyd), Nick Toren (Tim)
Tom Roland (Selsdon), Stacey Branscombe (Poppy)
Alison Nega (Brooke), Craig Dudley (Lloyd)
Sue Cella (Dotty)
Director, Michael Unger
Jeb Brown (Frederick), Janet Metz (Belinda)
Sue Cella (Dotty)
Jeb Brown (Frederick), Janet Metz (Belinda)
Jeb Brown (Frederick), Janet Metz (Belinda)
Paul Whitthorne (Garry), Alison Nega (Brooke)
Sue Cella (Dotty), Paul Whitthorne (Garry)
Sue Cella (Dotty)
Paul Whitthorne (Garry), Nick Toren (Tim), Craig Dudley (Lloyd), Janet Metz (Belinda), Tom Roland (Selsdon)
Tom Roland (Selsdon), Janet Metz (Belinda), Sue Cella (Dotty), Stacey Branscombe (Poppy), Criag Dudley (Lloyd), Nick Toren (Tim), Alison Nega (Brooke)
Alison Nega (Brooke), Tom Roland (Selsdon), Craig Dudley (Lloyd), Sue Cella (Dotty), Stacey Branscombe (Poppy)
Jeb Brown (Frederick), Alison Nega (Brooke), Janet Metz (Belinda)
Janet Metz (Belinda), Sue Cella (Dotty), Paul Whitthorne (Garry)
Craig Dudley (Lloyd), Stacey Branscombe (Poppy)
Paul Whitthorne (Garry), Janet Metz (Belinda), Jeb Brown (Frederick), Sue Cella (Dotty), Nick Toren (Dotty)
Stacey Branscombe (Poppy), Craig Dudley (Lloyd), Alison Nega (Brooke), Tom Roland (Selsdon), Jeb Brown (Frederick), Janet Metz (Belinda)
Paul Whitthorne (Garry), Criag Dudley (Lloyd), Janet Metz (Belinda), Alison Nega (Brooke), Tom Roland (Selsdon), Jeb Brown (Frederick)
Paul Whitthorne (Garry), Nick Toren (Tim), Stacey Branscombe (Poppy), Sue Cella (Dotty)
Nick Toren (Tim), Craig Dudley (Lloyd), Tom Roland (Selsdon)
Jeb Brown (Frederick), Paul Whitthorne (Garry), Alison Nega (Brooke)
Janet Metz (Belinda), Paul Whitthorne (Garry), Sue Cella (Dotty), Jeb Brown (Frederick)
Paul Whitthorne (Garry), Nick Toren (Tim), Sue Cella (Dotty), Sue Cella (Dotty), Craig Dudley (Lloyd), Stacey Branscombe (Poppy), Janet Metz (Belinda), Jeb Brown (Frederick)
Paul Whitthorne (Garry), Alison Nega (Brooke)
Paul Whitthorne (Garry), Sue Cella (Dotty), Alison Nega (Brooke), Craig Dudley (Lloyd), Stacey Branscombe (Poppy), Janet Metz (Belinda), Jeb Brown (Frederick)
Kevin Lottes, Tom Roland, Alison Nega, Paul Whitthorne, Sue Cella, Craig Dudley, Janet Metz, Jeb Brown, Stacey Branscombe and Nick Toren
Set Designer, Todd Rosenthal, getting his hands dirty with a router.
The set - mid transition - designed by Todd Rosenthal
Paul Whitthorne (Garry) on our unfinished set with our stage manager T.R. Martin
Me trying the stair fall.
Paul Whitthorne (Garry) practicing falling down the stairs - myself and PSM (T.R. Martin) watching.
Full Company at first read.
Jeb Brown, Stacey Branscombe, Myself and Janet Metz on the rehearsal set.
Janet and me on the rehearsal set
Jeb Brown and me on reherasal set
Full Company on our great rehearsal set
Nick Toren (Tim), Craig Dudley (Lloyd), Tom Roland (Selsdon)
Nick Toren (Tim), Craig Dudley (Lloyd), Janet Metz (Belinda), Tom Roland (Selsdon)
Sue Cella (Dotty), Paul Whitthorne (Garry) - trying the sardine slide
Sue Cella (Dotty) and me - Alison Nega (Brooke) in the background
Nick Toren (Tim) helping to clean out sardine cans.
Act One model - by Todd Rosenthal
Act Two model - by Todd Rosenthal
Michael Unger (Director), Todd Rosenthal (Set Designer)


‘NOISES OFF’ IS A DISASTROUS DELIGHT

New Harmony Theatre’s first show of the season is a complete disaster.  That’s great, since the script for Michael Frayn’s backstage farce-within-a-farce maps a furiously choreographed, madcap dash toward that destination.  Armed with Frayn’s map, director Michael Unger, his production team and 10-member cast, followed through with a frothy, frenzied, often breathlessly funny evening of folly. It was a wild, bumpy ride, with ax attacks, crashing scenery, pratfalls on sardine-slicked floors, and a full-body tumble down a flight of stairs. The entire cast plunged through the show’s polyrhythmic choreography of door-slamming entrances and exits, axe, cactus and sardine attacks with abandoned precision. Book it while you can. – Evansville Courier & Press Evansville, IN